Saturday, 3 August 2013

Inquiry - Journal of own practice

2/08/13

Currently writing dance schemes of work for new term. As a dance teacher the schemes would be written with an objective in mind, but to be suitable for a school situation the objective then have to be levelled using curriculum level descriptors. Making sure I know how each objective looks at each level chosen. Opportunities need to be included in the schemes for Students to be able to assess their performance. 2 stars and a wish but with more criteria. Something I have found challenging in my practice.

Question to QTS TEACHERS AND DANCE TEACHERS. NQT and more EXPERIENCED TEACHERS -  Has using level descriptors been a challenge to you in preparation for teaching and in you teaching. For NQT has your additional QTS training made understanding how to level and use levels in your teaching easier, please give details.  

Tuesday, 14 May 2013

Critical Reflection Portfolio



Completing this Module has allowed me to reflect on my current practice, helping me to understand the way I work and ways to improve both my mental and physical approaches to my work. Working through the readers has enabled me to determine a clear pathway for my inquiry.
Initially I struggled to identify possible lines of inquiry, but by completing the tasks set, possible topics became apparent. (Reference A). I was interested to read about Peter Senge’s notions on the learning organisation and how this related to my particular working environment. As a result of further consideration and discussion with fellow workers, I felt the topic was too broad, although interesting I didn’t feel that my findings would impact on my personal practice.
Considering questions that relate to my everyday professional practice (Reference B), i identified areas for possible inquiry subjects.  I started by thinking what would enhance my practice. A common thread started to emerge and the question of my training arose, an issue I have faced throughout my career and one that I currently have to directly address, by completing the BAPP course my options become clearer .
The questions that brought me to my final line of inquiry were:-
‘The love of teaching dance versus the restrictions of the establishment and framework of the national curriculum’ – a topic of interest and one I face on a day to day basis. Finding a way to teach in the style I desire whilst staying within the guidelines.
‘Freelance or teaching in school – pros and cons’ – a topic that on reflection  alone generally addresses practical consequences, for example wages, stability, freedom. Not broad enough to be an inquiry in its own right but an important part of the decision making process of a dance teacher.
‘Working as a team player within an organisation’ – this question in helped me to decide on my line of inquiry. Helping me to identify the challenges I faced when moving from a freelance teacher.
It’s a question of ethics; I found it enlightening reading the Hart – Devlin debate. The theories made me reflect on my personal practice and code of conduct, compared to the schools code of conduct and the impact that might have on my teaching. (Reference C). As a result of discussing this matter with a fellow ‘unqualified’ dance teacher, my findings were that specific dance teacher training prepares teachers to care for their students for the time they are teaching, in school there is are wider implications for the teacher. A topic that unquestionably is worth pursuing in greater detail. The conversation then posed the question of the theoretical approach to ethics which further sparked my interest in the topic of my inquiry. (Reference D).
Although still unsure at this point, reading others blogs and comments,(Reference E), started to make things clear, the common denominator in all the questions and research that had interested me was the difference between training for dance teachers and school teachers, the media reports a great deal about teachers being unqualified but , some teachers have specialist qualifications (Reference F). With this in mind I identified specific questions that I felt would shape my inquiry (Reference G). I fashioned a survey to gain insight into others opinions and needs regarding this topic. Identifying people of interest through facebook, blogs and groups. (Reference H)
 In conclusion, I propose an award title (Reference J). Which reflects the knowledge and experience and will assist my future plans.

                          https://www.facebook.com/dancesouth.kfa?ref=tn_tnmn





Monday, 13 May 2013

Proposed award title

With my experience in school over the last 13 years and my need to gain QTS, I want to be able to reflect this in my Award title. throughout the process my research has allowed me to reflect on my practice and expand my knowledge of QTS and training and how it impacts on my teaching. Therefore my proposed title is;

BA (Hons) Professional Practice (Dance Teaching)

I feel this title will show the route my degree has taken me on and aid me on my journey to gain QTS

Research literature


Wednesday, 8 May 2013

semi-structures interviewing

I decided to try out a semi-structured interview method to see if it would be beneficial to my inquiry. I found it was a really useful form of interviewing and although I had a list of questions ready, the interview took on a different path and the answers I received opened up further questioning  which resulted in useful information for my inquiry. It also helped me to not be bias and lead the questioning to get the answers I expected, it gave me a different view point.

Definitely going to use this form of interviewing in my inquiry.

I will still use a formal interview method to gain answers and view to specific questioning and also an informal/guided interview with a group where my role will be to provide topics I want to cover and allow the interviewees to discuss the topics freely.

hopefully using these methods will give me data to inform my inquiry.

Wednesday, 24 April 2013

Questions?

I need opinions please. Firstly on the questions and secondly on the content. I am looking for opinions and experiences. Issues people have had as a qualified dance teacher working in schools but that don't hold QTS. Is it possible? is it difficult? should it happen? any views would be much appreciated.

What effects does not having QTS have on a dance teacher working in schools?

What issues do dance teachers face when they do not have QTS?

Can dance teachers follow the National Curriculum effectively without QTS?

Discuss??????????

Sunday, 21 April 2013

Developing my line of inquiry

Aim: to identify issues faced by Dance teachers and dancers who do not have QTS status when working within the curriculum structure.


  • Is it possible to be a successful unqualified teacher?
  • What impact could it have on the students/establishment?
  • What are the main issues faced by unqualified teachers?
  • Are there any stigmas involved - from other members of the establishment?
  • How can unqualified teachers make it easier for themselves to survive in a QTS world?
As a currently practising unqualified teacher within a school, there are various issues that I have faced. I hope that my research for this topic will help me to be a more affective and understanding practitioner and help other dancers make the successful transition from freelancer to school teacher with an idea of what they may face. 

I will conduct interviews and surveys with fellow dancers and teachers, research literature to establish  the opinions of society regarding unqualified teachers, create a SIG group for discussion. 

Reaching out to anyone currently working as an unqualified teacher in school or would like to have their say please get in touch...